(Examples of collages at bottom of this page.)

“Out West,” cover art for Shooter Magazine (Summer 2022). UK

“Kinky Oops,” Black Scat Review 22(August 2021). The Errata Issue.

“Too political,” Black Cat Review 1 (2021).

“Grim in Masked Associations,” Alluvian (Summer 2021).

“Might be different,” MAINTENANT 15 (Three Rooms Press, 2021).

“Alchemy,” Berkeley Fiction Review 41 (2021).

“Reflection” (cover), Shooters (July 2021). The escape issue.

“San Ysidro,” “Flathead Lake,” & “They go where they want,” The Fourth River (Summer 2021).

“Gone,” Cowboy Jamboree (Spring 2021). Cover art.

“Covid Head,” Alien Budda (April 2021).

“Easing Restrictions,” The New Southern Fugitives 4, 1 (December 2020).

“Sex,” Third Wednesday, 2020.

“Iceburg,” Here Comes Everyone, 2020 print.

“Wild Fires,” Here Comes Everyone, 2020 online.

“More Spice Than Sugar,” Harbor Review (July 2020).

“Dark Churches,” Oddball (June 3, 2020).

“Let’s not” “Humpty Dumpty,” and “Better bars,” Barzakh Magazine (2020).

“Ontheleft decoder,” Code::Art Journal (2020).

“Sugar Plum” and “Prodigal Son: Winter light,” Harvard Advocate Winter 2020.

“Pix: Pox: Pax” and “Sheltering in Place,” Pensive: A Global Journal of Spirituality and the Arts (2020).

“One,” “Two,” “Just Staying Afloat,” “Stay,” “She might have caught something,”             Pandemic Publications 2020.

“better bars, no one you’d know, cell block u,” CURA: A Literary Magazine of Art & Action (2020).

“Anxiety,” Storm Cellar (2020).

“Not my Fault,” MAINTENANT 14 (Three Rooms Press, 2020).

“Blues Family: Before the storm,” New Feathers Anthology (Spring 2020).

“Silhouette” & “Mother Time,” 2020 Summer Anthology: A Headrest for Your Soul, Other Worldly Women Press.

“Natchez,” Juke Joint (2020).

“Alice” & “Bird/hand/bush,” Faultline (2020).

“On the town,” Folio (2020).

“Real & Unreal,” Anastamos 6, The Boundary issue (2020).

“Blobs Dancing” & “Blobs Bedding,” Calyx: A Journal of Art and Literature, vol. 31, no.   3 (Winter/Spring 2020).

“Almost Home,” Inkwell 35 (2020).

“Not All There” & “I work from home,” Gulf Stream (2020).

“Denali,” “Gannett Peak,” and “Rocky Mt.,” Timber (2020).

“Day Out,” “Mother & Child,” “Blue #1-3,” “Panto,” and “House Built for Three,” The    Journal 44.1 (2020).

“Cleaning Crew” & “Seamstress,” Heavy Feather Review 10 (Fall 2020).

“Missing mitten,” Subterranean Blue Poetry (2020).

“Avarist,” Silk Road Review (May 2020).

“House plan,” Ilanot Review (Winter 2019).

“Aspen” & “New Mexico,” Thin Air (2019).

“Gender Studies 2” & “Residence,” Miracle Monocle (2019).

“Postcard debutant” & “Hedge House,” Inverted Syntax The Art of the Postcard (2019).

“Cliffdwelling” & “Hansel & Gretel & Gretel,” Qwerty 40 (December 2019).

“Shhh,” Barrelhouse (Oct. 2019).

“Peacock Lady,” Remington Review (2019).

“Stoop work # 1,” About Place Journal (2019).

“Sea Poems,”  (4 collages: 2 color cover, 2 b/w interior), Florida Review, The Erasure         issue (Fall 2019).

“Reflections on Moss Lake” (day & night), EcoTheo Review 2019.

“Alphabet City,” Stonecrop Review (2019).

“Greenspace 1,” Stonecrop Review (2019).

“Greenspace 4,” Stonecrop Review (2019).

“Boat 1-3,” Empty Mirror (2019).

“Gold Fish,” Empty Mirror (2019)

“Those weird California cousins,” Empty Mirror (2019).

“Blue Woods,” Empty Mirror (2019).

“Night Woods,” Empty Mirror (2019).

“Grove,” Empty Mirror (2019).

“Bars & Stars,” Bateau (2019).

“Kids Will Be Kids,” Borrowed Solace (Fall 2019).

“Canyons,” So It Goes (The Kurt Vonnegut Museum and Library 2019).

“A fine kettle” Nashville Review 29 (2019).

“Coming through”       “

“Cutting card”             “

“Duck pond”               “

“Fish pond”                 “

“Gretel in the tube”      “

“Landscaping”             “

“Cosmic kissing”        “

“Cosmic creepers”       “

“Neptune’s kitchen” Nashville Review 29 (2019).

“Open the drawer,” Pretty Owl Poetry (Summer 2019)

“Uptown,” Gasher (Summer 2019).

“Stacking the Deck,” Gasher (Summer 2019).

“Modern Sleep,” Gasher (Summer 2019).

“Dead Horse Point,” New Southern Fugitives (July 2019).

“Charleston,” Sonder Review (2019)

“Workers” series, “Milk Maid,” “Seamstress,” and “Lepidoperist,” Genre: Urban Arts 2019

“The Ellspermann,” (four panels), Journal of Compressed Arts 2019

“Angel,” Midway 2019

“Connect the Dots,” Midway 2019

“Gender Studies 1,” Midway 2019

“Library,” Gravel 2019

“Sketchy,” Gravel 2019

“Tous les Soirs,” Gravel 2019