2. Poetry

“Ocotillo,” Level Land: Poems for and about the I-35 Corridor (Lamar University Library Press, 2021).

“The Heretic,” Unruly Catholic Feminists: Prose, Poetry, and the Future of the Faith, edited by Jeana DelRosso, Leigh Eicke, and Ana Kothe (Albany: State University of New York Press, 2021).

“Seven,” Yellow Medicine Review (Fall 2020).

“We never were,” Rattle 68 (June 2020). Postcard poem.

“Woman off the chain, with horse” & “There were two dreams I dreamed,” Inverted Syntax, 2nd annual art of the postcard (2020).

“Little Apples,” Dovetails: Writing for Peace, peace in desert issue (December 1, 2020).

“Badlands” and “The knots I knit,” North Dakota Quarterly (2019).

“Possum” and “Penny,” Tilde (Nov. 2019).

“Marfa,” Blink Ink (Fall 2019). *Pushcart nominated.

“Tournament,” Narrow Doors in Wide Green Fields: Surrealists and Outsiders Anthology 2019 (Thrice Publishing, 2019).

“In the Drink,”* “Coming Cuts,” and “To the Circus,” Modern Language Studies (Summer 2019). *Pushcart nominated.

“Chain-link,” Yellow Medicine Review (Spring 2019).

“Build me poems,” Petrichor 12 (2019). Visual poem.

“Elegy,” “Arroyo,” and “Hovenweep,” Native Voices: Indigenous American Poetry, Craft and Conversations, edited by CMarie Fuhrman and Dean Rader (Tupelo Press, 2019).

“Blue Again,” Poets Facing the Wall (anthology) (Raving Press, 2018).

“On Leaving the Farm,” Arkansas Review (2018).

“Tattoo,” Saltfront: studies in human habit(at) (2018).

“My Dear Louise,” Surrealists and Outsider Anthology 2018 (Thrice Press, 2018).

“Morning” & “Nighttime,” Within Darkness & Light, Nothing Books [UK] (2018).

“This Morning,” Sheepshead Review (Fall 2017).

“Like Haast’s Last,” Backlash Journal # 3 (2017).

“The Heretic,” Interdisciplinary Humanities (Humanities and Religion issue) (Spring 2017).

“Lunacy,” Columbia Review (Spring 2017).

“Quest” & “A Hail of Diction,” The Arsonist Magazine (2017).

“A List of My Sins” & “My Eyes,” Burning House Press website (March 2017).

“Blue ridge,” Jelly Bucket (2017).

“Saturday Morning on an English Train,” Slant (2017).

“Two Tin Cans” & “Wisteria,” Cake 8: Black Forest Gateau (Summer 2016).

Brood: Poems. Norman, OK: Mongrel Empire Press, 2015.

“Venetian Balloons,” Ginosko Literary Journal 17 (Winter 2015-16).

“Ocotillo” Manifest West 4 (Fall 2015).

“The Launderette” & “The Roller Derby,” Pacific Review (2015).

“Bull,” Hawai’i Review (Spring 2015).

“Rapunzel” & “Valence,” Worcester Review 36 (2015).

“Boo,” The Stray Branch (Fall/Winter 2015).

“Bosom Serpent,” Thirdspace (2014).

“Songs,” Anak Sastra 16 (2014).

“Saturday Markets,” Dactyl 2 (Summer 2014).

“Umbrellas,” Kudzu Review (Spring 2014).

“Watercress,” Owen Wister Review (2014).

“Dark Matters,” Near Kin: A Collection of Words and Art Inspired by Octavia Estelle Butler, ed. Marie Lecrivain (Sybaritic Press, 2014).

“Auspicium,” Lalitamba Magazine (2014).

“Everett Ruess,” “Looking West,” and “Hewn,” Weber—The Contemporary West 30, no. 2 (2014).

“Aliceology,” Bohemia Art and Literary Magazine 4, no. 1 (January, 2014).

“Fits and Starts,” Midnight Circus: Rejected Dreams (2014).

“Blue” and “Maelstrom,” Anterior Review 1.1 (2014).

“Hovenweep” and “Pronghorn,” Kestrel 31(2014).

“Crisis on Infinite Earths,” Drawn to Marvel: Poems from the Comic Books (Minor Arcana Press, 2014).

“Falling,” Kindred Magazine (October 2013).

“The English Wall,” Far Flung and Foreign: People and Places (Writers Abroad, 2013).

“Turbulence,” Lines Underwater, ed. Laura Seymour & Kirsten Tambling (Tyburn Tree, 2013).

“Shell Shores,” The Four Chambered Heart: In Tribute to Anais Nin (Sybaritic Press, 2013).

“Colchester,” ARS Medica Journal (2013).

“Manzanita,” Out of Ours (2013); reprint of poem from Redwood Coast Review (2012).

“Mick,” Clockhouse Review (2013).

“Alice at Lessons,” Perfume River Poetry Review (2013).

“Black Cloud,” Stoneboat (2013).

“Private Eye,” SLAB (2013).

“On Politicians Making a Soup of Things,” Meat for Tea 7, no. 1 (Lardo), 2013

“The Weaver’s Finch,” Aries: A Journal of Art and Literature (2013).

“Crook,” dirtcakes 1.3, the “Oh Baby” issue (2013).

“Compass,” Helix (Fall 2012).

“Lake” and “Spoilt,” Seeding the Snow (2012).

“Bruise,” “Saint Cross,” and “Expatriate,” New Writing: The International Journal for the Practice and Theory of Creative Writing (Fall 2012).

“The Actor’s Studio,” Ballard Street Poetry Journal (Sept. 2012).

“Taconic, November 2011” Solo Novo: 122 Days, vol. 2 (2012).

“Manzanita,” Redwood Coast Review (Spring 2012).

“Harsh,” Ellipsis . . . Literature & Art (April 2012).

“Sea Change,” The Motherhood Anthology (Quill & Parchment Press, 2012).

“Echo,” Cloudbank (November 2012).

“Revolt 2:  Anarchists and Sneaks,” Burner Magazine (June 2011).

“Bites” & “Breakfast Midway to Bierstadt Lake,” Ruminate (Summer 2011).

“My Dove,” Able Muse (Summer 2011).

“Argosy,” Watershed (February 2011).

“Amber,” Front Range (2011).

“Poor thing,” Women’s Studies Quarterly (The Safe Issue, 2011).

“Dark Waters,” Beltway (The Langston Hughes tribute issue) 12, no. 1 (Winter 2011).

“Dog Gone,” Dogs Singing Anthology, Cliffs of Moher, County Clare, Ireland: Salmon Poetry Ltd., 2010.

“Elegy for Wilma Washam” & “Arroyo,” Talking Sticks: Native Arts Quarterly 13.3 (2010).

“Flint Hills” & “Territories,” Florida Review, The Native Issue (Summer 2010).

“Big River,” River Poems Anthology, Lilly Press 2010

“Charleston,” Red Line Blues (Spring 2010).

“Shop Window Trumps” & “Fridas,” specs (Fall 2009).

“In a word,” Main Channel Voices (Winter 2009).

“Qhi Ho Lake,” Ancient Heart Magazine (Spring 2007).

“Vox in Box,” MonkeyKettle (Spring 2007).

“Karma,” Genie (Summer 2006).

 “Mirage” & “Utopia,” Buckle (Autumn 2005).

“Into the Woods,” The Healing Muse 4(2004).

“Freud,” Wicked Alice (Spring 2004).

“Difficulties of a Cripple,” Dalhousie Review (Winter 2004).

“Alchemy,” NeoVictorian/Cochlea (Spring 2004).

“War Waltz,” Concrete Wolf 1, no. 5 (2002).